Voice of the Turkey + (1950)

Classic Media and Sony Wonder have put out a four double sided disc box set (about 19 hours) of Harvey cartoons. The set came to me for correctly and quickly answering a question from Jerry Beck of Cartoon Brew and Cartoon Research, who was involved with the compilation of these cartoons as a show some time ago (altho he was not directly involved with assembling the DVDs). "Voice of the Turkey" can be found on side 2A, chapter 19 if playing all.

LOVE


Great calendar painting.


Inexplicable mints. That's kinda cool.


Tricking the turkey into putting his neck on the block by looking for something is cool.


Turkey with goosepimples. That's funny. But it comes across looking kinda badly, and it's hamfisted since the visual gag is introduced with a verbal gag (either by itself would have been less lame).


Axe murdering farmer. He's pissed. And even tho he isn't as well animated or designed as Fudd in Bugs Bunny cartoons where Fudd plays a similar role, his dilated pupils give the impression that this guy is throat slitting nuts.


Skin and bones. The visual on the Turkey is great. Tho his dialogue is lame. And the joke goes nowhere afterwards. It creates an awkward pause in the action that then just cuts to a slightly wider shot and then gets going again.


Farmer helping the turkey to stop sneezing then using his open mouth to pump him full of stuffing. It's done very smoothly and nonchalantly, and works quite well.

HATE


The music is big and obvious, like most Harvey music. That's kinda bad, kinda good. The music really pushes itself out there. I don't remember that as a kid, but as an adult, it's irritating. The repetition of the music's sound in many Harveytoons isn't exactly a pleasing thing either.


There's a very static plate of food in this shot; it looks creepy. It must have saved about 30 individual cels of the plate. And looks like crap due to it.

The moronic voice on the moron. Extremely grating. The makers seem to be from the "irritating is inherently funny" school of comedy. I wish their school would burn to the ground. The accent on the turkey, which seems to be some flavor of NYC accent, sucks as well, although it is not as bad.



Lame food gags. Shuffling a sandwich like cards is a crappy gag here, done in a way that just looks unnatural; the food moves of its own volition, violating physics in an uncomfortable way. Eating the corn like a typewriter (basically all by sound effect) is an old gag, presented here in a boring manner. There's a winning combination. Then the turkey jacks open its beak. Sigh. Stuffing its beak to fullness is actually the most interesting thing involved in the gag, and shows a bit of visual interest.


Sucker gag; by 1950, we can officially say the sucker gag was played out. It even says "sucker" on the sucker. It's like the company was saying "hey morons, you're morons!".


Remember how I complained about the painted escape route gag in Jerky Turkey? It's worse here. Maybe it's the angle of the shot, maybe it's the music, but it just feels worse here. And that's in spite of the fact that I like some aspects more (the paint coming off is a little funnier, the impact marks look a little better, and the camera moves with the impact resonance).


Off frame gag. You know how it's good in Looney Tunes or MGM cartoons? Not here. The sprocket holes don't move, it looks, well, fake. The animation going off frame isn't smeared and is very stiff, and the camera moves smoothly out and back.


The farmer inexplicably has a plunger gun all of a sudden (it doesn't work here, altho it might in some other film) and knocks the turkey's feathers off with it. This shot actually looks cool, like the turkey is releasing his evil seed, but it doesn't look all that good animated. I also kinda like his turkey gloves and human boxer shorts.

"Listen boss, let's talk toikey". Shudderingly bad.


Poorly done eye take. Very slow, doesn't work. The veins and the puckery sockets look good in a still tho.




Ghost turkey (including transparent effect shot) asking for wings is funny. But then they ruin it by dumping the effects shot for a solid white turkey who takes off a sheet. Ending on cannibalistic ghost turkey would have been much better. Then they keep going and end on a lame punchline ("I fool him this way every Thanksgiving") and then go back to the lame typewriter corn gag. Gah!

TOON TAKE

Immediately following this cartoon is a "Toon Take", which has gutted some other cartoon for some laughs. It has a segment on the pilgrims, and that's much funnier than the "Voice of the Turkey". So you get a bonus backup review in this post.

MINI LOVE


Priscilla, in the courtship of Miles Standish, has giant hips and legs. I guess two fisted butter churning only keeps the top svelte.


Then we get another lass big in the, er, hips, with the Pocahontas/John Smith story. John prefers death over big boned women, for some reason.

MINI HATE


Not especially attractive island photo of "Dorothy"; I think it's an ugly picture of Dorothy Lamour. It's still funnier than "Voice of the Turkey".

And so the discontinuous blackout gags make a better go of it than a continuous cartoon. Not tied down I suppose. The visuals are more streamlined as well.

Jerky Turkey (1945)

Jerky Turkey (1945)

Directed by Tex Avery

A short appropriate for Thanksgiving. That was released in April. Maybe they rereleased it in November, or maybe they just had to ration common sense during the war... (My screencaps are from a $1 public domain DVD ("Toon Factory: Scrap Happy Daffy"), where in their packaging they misspell it "Jerkey Turkey"; sorry, it looks like their print was suffering some color problems; better contrast than the Daily Motion video tho.)

Download at:
http://refrederator.com/cartoon/jerky_turkey

Jerky Turkey
Uploaded by dandu386

LOVE




Double titles! More than one image in titles is a good thing. At least when the art is good. And it is here.



Transposing WWII battleship guns onto the Mayflower. Cartoons sure went to war...


Plymouth rock stone chicken gag. Painting gags are usually cool, and this is no exception. It's followed by a pan over to a WWII gag sign: "was this trip _really_ necessary?"


Partisan politics gag. It is part of the overuse of "ye", but it's good to know partisan rancor isn't new. Imagine, in a time of war, it was an accepted popular notion that not everyone was on exactly the same team...


Turkey Call with bill and a hand to whistle and call the words "Hey Turkey!". Double gag; it's a duck, and it's a duck that calls like a human.


Black market building. The turkey exposes it from behind camoflauge. It's a great big black building. Out of place, nicely designed, playing off the name black market. Cut out the "ye"s and we'd really be in business.


Turkey giftwrapping himself. Ludicrous and therefore funny in and of itself (even tho he uses his positioning to get around to blowing up the pilgrim), using the scissors to make the ribbon curl up is a pleasing attention to detail.


The bear's musical theme. Slow flute music punctuating the thrilling chase music dominated by strings. Everything has to stop for him, too; bringing the cartoon to a total halt works as a piece of comedy. It's an aspect of what made Droopy work, I think.



Halfbreed. Visually interesting, in line with a lot of the pastiche visual jokes Avery did. Too bad it's inserted inappropriately; it just feels like an interruption. As an 1/8th breed myself, let me assure you this should not be condemned as racism; the palefaces are just as shnozzy as the redskins, and halting English is probably better than one would expect in the local people of 17th century Massachusetts. This scene is listed as censored at http://looney.goldenagecartoons.com/ltcuts/mgmcuts.html


The multiple pilgrim; as there are multiple possible hiding spots, the pilgrim splits into 4. The music really makes this particular gag.


Tree angle. The turkey in the tree is a pull out shot that basically couldn't be done (at least not without a ton of work) in real life. It's cool. unfortunately the next shot is very normal and feels impoverished from the great angle shown just previously.


The denoumount has the bear eating the pilgrim and turkey; this is marred by "I'm Joe" written on the bear's back, but his face is great; he looks contented while he is picking his teeth. The cutaway to the stomach isn't the greatest thing since sliced bread, but it's an acceptable way of underlining the protagonist(s) discontent with becoming food.

HATE



Overuse of "ye". Let it go. Combined with crows nest gag overuse, it really sucks. The lookout's giant mouth is kinda interesting tho. See also: ye hollywood, we vine, ye cigarettes today, ye cut rate drug store, with the interesting character line up:
Panning over the crowds (look to be painted on cels, not part of the background) is good for a change, not everything needs to be animated up the ass. But even the pilgrim says "ye", and it sickens me.


Ugly pilgrim, ugly turkey. The turkey is based on Jimmy Durante, who did lend himself to the beak. But the design is still ugly. Not nearly as ugly as the pilgrim tho. Incredibly ugly. Unpleasantly ugly. "Why did they design this schmuck to be so damn ugly" ugly. And this isn't his only cartoon! Fuckers. I wonder how much the kids know about Jimmy Durante now. My primary exposure to him was through cartoons stealing his act and look, but since there were only 6 channels when I was a little kid, I saw the actual guy on the show that showed movies during the day. Since classic cartoons are mostly consigned to the cold dark obscurity of Boomerang on TV now (and three cartoons on Cartoon Alley once a week on TCM), I wonder if kids are even getting exposed to the cartoon version...



Old gags: (were they old by then?): painting a background on a wall so the adversary will smack into it, the adversary runs into it as if it is real, the painter hits the painted wall. I wonder if there was actually a precursor gag where the adversary hit the wall, or where both ran into it. Then the mechanical gag; the turkey shakes his hand, the pilgrim's head goes up on a jack. They feel realllllly old now; I remember seeing the painting gag in roadrunner cartoons as a kid, and even though those were after this cartoon, I can't help but find it no longer funny. The mechanical gag was supposedly created by Iwerks at Disney, so that was in some form old by this cartoon.

On the whole a fine cartoon.

Scrap Happy Daffy (1943)

Scrap Happy Daffy (1943)



Directed by Frank Tashlin

Animation: Art Davis.

This is a wartime propaganda film, and is fettered by that; it was probably rushed out the door to get the message out. But good reasons for sucking don't make those suck things suck any less. On a $1 DVD from Walmart in the "Toon Factory" line. For what is a pretty long propoganda film at 8 minutes, it's pretty enjoyable.

Love:


Daffy sings a song that probably named "We're In To Win", imitating Mussolini, Hitler and Tojo. Hitler's wearing a white hat with what looks like a German Eagle instead of a swastika; this seems out of character, and I wonder if it means something. Swastikas abound later on tho. Note the heavy linework behind the mirror. It's not actually bad in and of itself, but it doesn't jibe with the character styles.


Multiple Daffys in the broken mirror. Reusing a single piece of animation, to maybe give the illusion of more work, works pretty well here.


Keeping Daffy out of frame to showcase a chick in a bathing suit. They even go back to it and hold. This probably saved on animation while adding titillation. Strangely, the woman is a bit poochy in the mid section, and seems to be wearing a one piece that goes a bit down the thigh. It makes me think it might have been cribbed directly from some life modeling or something, but it at least differs from the general impression I get of WWII pinup body styles. Maybe all the hot chicks had to be sent overseas for the troops, and home propaganda films had to be rationed out with realistic women.


Dog tired daffy. Bent over, panting, feather standing up on his shoulders. Note the simple chalk drawn images as a background.


Transitioning in a cross fade from a horse's ass to Hitler, while playing the theme identified on Cartoons For Victory as "Who's A Horse's Ass". Daffy also says "How do you like that" and then something that sounds like "schikel gruber". I wonder if it means shit eater.


Weird German swearing subtitles.


Silhouette speaking into mic ("destroy that scrappile"). Prefigures later Bugs space cartoon, as does the radio tower.


The one good background part: the scrappile destroyer zooming to the scrap pile (the tall silhouette) shows a great looking the entry way to the yard.


Ass glasses joke. And Daffy's tail becomes a hand.



Ghosts of Daffy's history. Saves paint to do them in white inking, which looks cool.


Chiaroscuro Daffy. Looks good; but that seems out of place.


Daffy duckman look. Weirdly out of place with the rest of the cartoon. Abnormally long waggling of the eyebrows too. It should do it more briefly, surrounded by motionlessness.

Hate:


The title card is lame. So many good title cards; what happened here?


Salvage Warden Sign looks like from the time of plunging production values in the '60s. It pans over other signs from there, "Get That Tin Out" "Get That Brass Out" "Get That Iron Out", ending with "Get the lead out"

Bad writing. Daffy hears something. Laughs it off as "mice". Then he hears it again and says "moose". Mel Blanc's delivery might be to blame.


Weird Daffy neck error; cranes neck around fence, then neck seems to be coming from the fence end. Oops. It looks more like an error in motion than it does in a still.

Mirror gag where Daffy is telling the eyes in the dark to come out, and it turns out to be him in a mirror. Except he's all moving around and the eyes are static.


Having a goat be the scrap heap destroyer is cool, but Daffy's interaction with him is stilted.


Daffy made of glasses. It's interesting. but doesn't quite work. I wonder if they were trying to especially encourage recycling glasses. The goats horns are even eventually turned into glasses.


Super American. Looks like crap. Big meaty Daffy. So wrong. Or badly done.


Hitting artillery shells. Just like regular Superman; altho it works better in comedy than in drama, it still seems off.

In the end it was a dream. But it wasn't. Um, ok. This could be funny, but not how it's done here.